May, 21

2. June 2015 kl. 18.00

Welcome to the launch of Daniela Cascella’s newly published book F.M.R.L. Footnotes, Mirages, Refrains and Leftovers of Writing Sound, where the book will be remixed by artists Jeremy Welsh, Conrad Kemp+Maia Urstad, Signe Lidén, using the text of F.M.R.L. as material.

Listening into writing, reading into writing take shape in F.M.R.L. through a collection of short texts, fragments and deranged essays, with attention to pacing and linguistic derives. An archive of books, notebooks, events and records prompts the texts in these pages, responding to encounters with Michel Leiris’s autobiographical fictions; concerts and events at Café Oto and the Swedenborg House in London; visits to museums such as the Pitt Rivers in Oxford and exhibitions such as Ice Age Art at the British Museum, among the others.

The attention dwells on the peripheral—accidents of hearing, recalled stories, detours of thought—rather than any assumed core, up to the point when the very core of the book becomes what is normally deemed peripheral. Taking its title from Louis Aragon, F.M.R.L. (Ephemeral: Frenzy, Madness, Reverie, Love) is ‘a recording of a three-year long improvisation in writing’: it reclaims the complexity and intermittent incoherence in listening and reading, and it works with their residual aspects addressing reference, canons, issues of authenticity and fabulation, degrees of opacity and transparency, across languages and cultures. F.M.R.L. makes claims for confusion and unexpected minutiae rather than supporting any grand, encompassing narrative of listening. It is not concerned with making sense univocally, but with exploring possibilities for meaning and for writing sound.